The mainstream-friendly half of the now-defunct At The Drive-In released their second album a few weeks ago, and I thought hell, I’ve listened to the whole thing thrice; a review is in order!
Ever since their debut, you knew Sparta wasn’t going to be anywhere near as important as ATDI, what with songs like “Papercut” and “Mye” all geared toward being accessible rather than being bold and experimental. That was ok with me; my favorite ATDI song was “One-Armed Scissor,” after all. Sparta’s first album was pretty successful all things considered, and (more importantly) was consistently entertaining throughout its 13 songs. It didn’t matter that The Mars Volta (the other half of ATDI) was churning up a shitstorm on the experimental end of the newly labelled post-hardcore scene; Sparta was fun, and that was that.
Two years later, the boys are back and the industry held its collective breath (I know I did). My review in n ten words or less: Porcelain is a lot like Wiretap Scars. There. I said it.
I think that the problem with most mainstream bands is that it’s very easy to fall into a repetitive sort of rut, when you’re not constantly experimenting with ways to improve your craft. Sparta has this problem, (as does everybody from The Red Hot Chilli Peppers to Aerosmith to Incubus) and indeed, I didn’t hear a single song on the new album that sounded like they were, you know, getting better.
I’m not saying it’s a bad album, I’m just saying it doesn’t sound very new. A couple of songs, “La Cerca” and “Tensioning” in particular are very good, but to someone who has been listening to the older stuff for the past year, they mostly sound like upgraded versions of “Vacant Skies” and “Red Alibi” respectively (which is my all-time favorite Sparta song, btw). “Splinters” is pretty good too, and was a fine way to end the album.
I’ll probably listen to the album a couple of more times over the week, but I don’t imagine it staying on my iPaq for longer than that.